Firmware & DriversFirmware:
Update the firmware of the unit to the latest version from http://www.reloop.com/reloop-terminal-mix-4 Drivers
(for Windows only): Install the latest Reloop ASIO drivers from http://www.reloop.com/reloop-terminal-mix-4
No drivers are required for Mac OSX computers
VirtualDJ SetupDownload and install VirtualDJ 8 from http://www.virtualdj.com/download/index.html (in case you have not done already)
Once VirtualDJ 8 is launched, a Login Window will appear. Login with your virtualdj.com account.
A Pro Infinity or a Subscription License is required to fully use the Reloop Terminal Mix 4. Without any of the above Licenses, the controller will operate for 10 minutes each time you restart VirtualDJ.
A detection window will appear next, asking to use or not the pre-defined audio setup with the built-in sound card of the Reloop Terminal Mix 4. You can still change that from Settings->AUDIO tab.
Click on the Use Soundcard button, if your speakers are connected to the Master Output of the unit at the rear panel and your Headphones to the front socket.
Click to OK.
The unit is now ready
MIDI Operation The unit should be visible in the CONTROLLERS tab of Config and the “factory default” available/selected from the Mappings drop-down list. The factory default Mapping offers the functions described in this Manual, however those can be adjusted to your needs via VDJ Script actions.
Find more details at http://www.virtualdj.com/wiki/VDJ8script.html
AUDIO Setup The unit has a pre-defined Audio configuration and a special button in the AUDIO tab of Config to provide that.
Alternative Audio setups can be applied in the same window. See Advanced Setup
For further software settings please refer to the User Guides of VirtualDJ 8. http://www.virtualdj.com/manuals/virtualdj8/index.html
LAYOUT S. SHIFT
. Press and hold this button to access secondary functions of other controls on the Terminal Mix 4 The SHIFT button can operate as a toggle or a momentary one depending on the SHIFT switcher ().
The functionality of each button and knob per section (as shown in the image below) will be explained in detail in the next chapters A. Deck Controls B. Effect Controls C. Loop Controls D. Hotcues & Sampler E. Mixer & Browser F. Front & Rear
This section offers control of 3 Effect slots per deck, Beatgrid adjustments, Master video Effects and Video Transition controls.
- FX1 ON. Press this button to enable/disable the selected effect of FX Slot 1. Hold SHIFT down and then press this button, to select the next available effect for FX Slot 1.
- FX1 knob. Controls the 1st parameter of the selected effect of FX Slot 1. Hold SHIFT down and use this knob to control the 2nd parameter of the selected effect of FX Slot 1.
- FX2 ON. Press this button to enable/disable the selected effect of FX Slot 2. Hold SHIFT down and then press this button, to select the next available effect for FX Slot 2.
- FX2 knob. Controls the 1st parameter of the selected effect of FX Slot 2. Hold SHIFT down and use this knob to control the 2nd parameter of the selected effect of FX Slot 2.
- FX3 ON. Press this button to enable/disable the selected effect of FX Slot 3. Hold SHIFT down and then press this button, to select the next available effect for FX Slot 3.
- FX3 knob. Controls the 1st parameter of the selected effect of FX Slot 3. Hold SHIFT down and use this knob to control the 2nd parameter of the selected effect of FX Slot 3.
- TAP. Press this button (for at least 4 times while track is playing) to manually tap the tempo of the track
Hold SHIFT down and then press this button to set the TAP button and the BEATS ENC (19) to Video mode (led will be On)
The Video mode is side/deck dependent (can be enabled/disabled on either side separately).
In Video mode, use the button on the left side to trigger the selected Video Transition, and the button on the right side to trigger the selected Video Effect on Master.
- BEATS ENC. Use the encoder to move the track forward or backwards by 1 beat. Hold SHIFT down and then use this encoder to move the CBG of the track by 1 beat forward or backwards.
If the Video mode is enabled, use the encoder on the left side to select a Video Transition and the encoder on the right side to select a Video Effect on Master. Hold SHIFT down and then use the same encoders to adjust the 1st parameter (if available) of the selected Video Transition or Video Effect on Master respectively
HOTCUES & SAMPLER
This section offers HotCues and Sampler Control and 2 different banks for each one.
- BANK Use this button to choose the 1st or the 2nd bank for both HotCues and Sampler. When the led of this button is turned on, the HotCues and Sampler buttons will offer control of the 2nd bank.
- HOTCUES 1-4/(5-8). Each one of the 4 HotCue buttons assigns a Hot Cue Point 1 to 4 (or 5 to 8 if the 2nd bank is selected) or returns the track to that Hot Cue Point.
When a Hot Cue Button is unlit, you can assign a Hot Cue Point by pressing it at the desired point in your track. Once it is assigned, the Hot Cue Button will light up red.
Hold SHIFT and then press a button to delete its assigned Hot Cue Point. Red leds will blink if a HotCue point exists.
- SAMPLES 1-4/(5-8) Each one of the 4 Sampler buttons triggers a sample from the selected Sampler Bank of VirtualDJ8. The buttons will control samples 1 to 4 (or 5 to 8 if the 2nd bank is selected).
If a bank has less than 9 samples, both sides of the Terminal Mix 4 will control the same samples. If a bank has more than 8 samples, the left side of the Terminal Mix 4 will control samples 1 to 8 and the right side samples 9 to 16.
The Leds of the Sampler buttons will be turned on if a sampler slot is available (loaded) and will blink is triggered.
Press the buttons to trigger a sample. Depending on the selected trigger mode, use SHIFT and the same pads to stop the sample.
The Terminal Mix 4 offers 2 stereo Inputs. A LINEIN
at the rear side (Input Channels 1 and 2) and a Microphone Input
at the front (Input channels 3 and 4). Each one of the Inputs can be routed through the Master Output directly (front switchers to MST position) or through VirtualDJ (front switchers to SW position). A Level knob for each Input is offered to adjust its Input Volume.
Recording & Broadcasting
The unit offers the ability to record the Master Output along with the Microphone and LINE Inputs directly from VirtualDJ record button (in the MASTER center panel).
In this case, both the Microphone and LINE Inputs need to be in SW Input mode
The Microphone Input is already part of the pre-defined audio configuration, therefore only a Line In line needs to be manually added to the audio configuration, as per the following image. Note. If the Line or the Microphone Inputs are not required to be recorded, it is advised not to route the Microphone through the software, as an additional latency will be applied.
Even though the Terminal Mix 4 is not designed to support Timecoded CDs and Vinyls (DVS), the unit is capable to offer Timecode setups. In theory only a single Timecode device can be used (connection to the LINE Input), however a second Timecoded device can be also connected to the MIC Input (and adjust the Level of its signal).
The following audio configuration is showing an audio configuration with a single Timecode input.
Hardware Integration Department 2016 - ATOMIX PRODUCTIONS Reproduction of this manual in full or in part without written permission from Atomix Productions is prohibited.