effects? can't even scratch around here unless its a straight up hip-hop/rap club and even then you won't hear that much of it. last time a dj tried to scratch at work the floor literally stopped cold. seriously painfull moment. blends and smooth transitions so that the floor doesn't stop unless you want it to is what keeps ya employed.
but when i get home and can actually have fun with one of Matt's skins and the VDJ plug-ins - party time!
but when i get home and can actually have fun with one of Matt's skins and the VDJ plug-ins - party time!
Posted Fri 21 Oct 11 @ 6:32 am
Although the UK and the US are closely related re technology i.e. they are at the same level e.g. you tend to find that lauch dates are quite close together where as the rest of the world had to wait :)
I just think DJing is bigger in the UK as the US has more going on, e.g. sports events, live gigs (bands) etc plus rock is cool in the states where as we said goodbye to rock in the eighties.
Also the UK is in Europe, dance music plays throughout the clubs.
I have played to all American audiences for over 6 months, 6 nights a week and it was all hip hop, try looping and adding effects to that!
PS,
There are 60 million in the UK when you take all the asylum seekers into account :(
I just think DJing is bigger in the UK as the US has more going on, e.g. sports events, live gigs (bands) etc plus rock is cool in the states where as we said goodbye to rock in the eighties.
Also the UK is in Europe, dance music plays throughout the clubs.
I have played to all American audiences for over 6 months, 6 nights a week and it was all hip hop, try looping and adding effects to that!
PS,
There are 60 million in the UK when you take all the asylum seekers into account :(
Posted Fri 21 Oct 11 @ 7:19 am
Charlie Wilson wrote :
I have played to all American audiences for over 6 months, 6 nights a week and it was all hip hop, try looping and adding effects to that!
:(
I have played to all American audiences for over 6 months, 6 nights a week and it was all hip hop, try looping and adding effects to that!
:(
I've played at clubs where it is well known for Electro, House and Dance music, you will still have a ton of people coming up to asking to play hiphop. Or worse yet Cupid Shuffle or the Wobble.
Yay US club go'ers :-(
Posted Fri 21 Oct 11 @ 8:02 am
Hahaa! Don't hate fellas hip hop equals money, lol!
Posted Fri 21 Oct 11 @ 8:36 am
That shuffle thing really pissed me off! knowone has even heard of it over here.
You can loop it though as I used to do :) to the left, to the left, to the left, to the left, to the left, to the left, to the left, to the left...
You can loop it though as I used to do :) to the left, to the left, to the left, to the left, to the left, to the left, to the left, to the left...
Posted Fri 21 Oct 11 @ 9:18 am
One hop this time !
Hands on your knees ;)
Hands on your knees ;)
Posted Fri 21 Oct 11 @ 9:53 am
Charlie Wilson wrote :
That shuffle thing really pissed me off! knowone has even heard of it over here.
You can loop it though as I used to do :) to the left, to the left, to the left, to the left, to the left, to the left, to the left, to the left...
You can loop it though as I used to do :) to the left, to the left, to the left, to the left, to the left, to the left, to the left, to the left...
Hey that will be good, maybe they can keep going straight out the door. Except at club I am at it would be to right as you face the DJ booth hahaha...
Posted Fri 21 Oct 11 @ 10:37 am
the wobble song is so inhumanly popular now that we're having to play it twice and my boss STILL wont let me buy a paintball gun to shoot the linedancers with! so insanely stupidly popular that we actually loop the beginning most to the time to give them time to get to the floor for it.
"the horror... the horror!"
back on topic - the most i ever look like a performance artist is when i'm doin' some crowd participation stuff - Jump Around, U Can't Touch This, Ice Ice Baby, Party Rock Anthem, etc..
and after what happened earlier this year to a certain dj, i don't think i really want that kind of "performance" associated with me.
"the horror... the horror!"
back on topic - the most i ever look like a performance artist is when i'm doin' some crowd participation stuff - Jump Around, U Can't Touch This, Ice Ice Baby, Party Rock Anthem, etc..
and after what happened earlier this year to a certain dj, i don't think i really want that kind of "performance" associated with me.
Posted Fri 21 Oct 11 @ 12:54 pm
obviously you're a mobile dj and thats where you want to be! why do you think the best djs are where they are, its because they put creativity to it not just playing a song after another that shit is boring i LOVE playing live and see how people gets exited with new sounds, and when you explode a song and the people explodes its an undescribable feeling! I'm sorry for you booooooo! just don't dj please
Posted Fri 21 Oct 11 @ 8:13 pm
blackstormx6x wrote :
obviously you're a mobile dj and thats where you want to be! why do you think the best djs are where they are, its because they put creativity to it not just playing a song after another that shit is boring i LOVE playing live and see how people gets exited with new sounds, and when you explode a song and the people explodes its an undescribable feeling! I'm sorry for you booooooo! just don't dj please
So, let me ask you this. You like to see how people get excited with new sounds. What new sounds? The music your playing is recorded. You mean to tell me the buildups and breakdowns that most dance music contains is not enough for you and you program your own buildups? I haven't seen the crowd tell the difference between my reverb-filtered buildup on top of the song's buildup, vs. the original song buildup. The crowd goes nuts even if I don't touch the song. You really think your adding more to the song like this? Is it your perception vs. the crowd knowing the difference?
I'm all for creativity, but here is another look at it:
- Most dance songs contain all the elements: amazing buildups, nasty beats, great vocals
- DJs can mix seamlessly between two songs, simple enough.
- What's next? You beatgrid a song to death, filter it up until it "sounds" like your creating your own buildup, and drop the next song? Do you really think that makes the crowd get even more excited? Are you sure it is not you (you=in general, not pointing fingers) who is in the moment, excited, feeling like the crowd thinks YOU are building the song from scratch? If so, I just think it is funny...
Maybe I've become too skeptical and seen too many DJs add their own flare to songs in which, having DJ'd them myself, I expect this awesome song and it gets replaced by some corny acapella mashup or mismatched basslines between a transition song.
Creativity is great, don't get me wrong. But, I don't think a DJ is poised to be a creator in this sense. I think a producer/DJ is where it needs to be done. And, most of us are not that.
Posted Sat 22 Oct 11 @ 9:02 am
DJ iing in the Us is bigger than all the countries combined. You have way too much going on over here. You have tons of retail DJ stores to meet the demands, Millions of clubs, hundreds of thousands Djs and maybe more. You have the DJ Expo, Winter Music Conference, Latin Mix Conference, Video Mix Conference and lots more. You have soo much work for Djs depending on which state you live in. In New York City, You Can Dj 7 days a week and also have double bookings on the same day.
Posted Sat 22 Oct 11 @ 3:52 pm
dre99gsx wrote :
So, let me ask you this. You like to see how people get excited with new sounds. What new sounds? The music your playing is recorded. You mean to tell me the buildups and breakdowns that most dance music contains is not enough for you and you program your own buildups? I haven't seen the crowd tell the difference between my reverb-filtered buildup on top of the song's buildup, vs. the original song buildup. The crowd goes nuts even if I don't touch the song. You really think your adding more to the song like this? Is it your perception vs. the crowd knowing the difference?
I'm all for creativity, but here is another look at it:
- Most dance songs contain all the elements: amazing buildups, nasty beats, great vocals
- DJs can mix seamlessly between two songs, simple enough.
- What's next? You beatgrid a song to death, filter it up until it "sounds" like your creating your own buildup, and drop the next song? Do you really think that makes the crowd get even more excited? Are you sure it is not you (you=in general, not pointing fingers) who is in the moment, excited, feeling like the crowd thinks YOU are building the song from scratch? If so, I just think it is funny...
Maybe I've become too skeptical and seen too many DJs add their own flare to songs in which, having DJ'd them myself, I expect this awesome song and it gets replaced by some corny acapella mashup or mismatched basslines between a transition song.
Creativity is great, don't get me wrong. But, I don't think a DJ is poised to be a creator in this sense. I think a producer/DJ is where it needs to be done. And, most of us are not that.
blackstormx6x wrote :
obviously you're a mobile dj and thats where you want to be! why do you think the best djs are where they are, its because they put creativity to it not just playing a song after another that shit is boring i LOVE playing live and see how people gets exited with new sounds, and when you explode a song and the people explodes its an undescribable feeling! I'm sorry for you booooooo! just don't dj please
So, let me ask you this. You like to see how people get excited with new sounds. What new sounds? The music your playing is recorded. You mean to tell me the buildups and breakdowns that most dance music contains is not enough for you and you program your own buildups? I haven't seen the crowd tell the difference between my reverb-filtered buildup on top of the song's buildup, vs. the original song buildup. The crowd goes nuts even if I don't touch the song. You really think your adding more to the song like this? Is it your perception vs. the crowd knowing the difference?
I'm all for creativity, but here is another look at it:
- Most dance songs contain all the elements: amazing buildups, nasty beats, great vocals
- DJs can mix seamlessly between two songs, simple enough.
- What's next? You beatgrid a song to death, filter it up until it "sounds" like your creating your own buildup, and drop the next song? Do you really think that makes the crowd get even more excited? Are you sure it is not you (you=in general, not pointing fingers) who is in the moment, excited, feeling like the crowd thinks YOU are building the song from scratch? If so, I just think it is funny...
Maybe I've become too skeptical and seen too many DJs add their own flare to songs in which, having DJ'd them myself, I expect this awesome song and it gets replaced by some corny acapella mashup or mismatched basslines between a transition song.
Creativity is great, don't get me wrong. But, I don't think a DJ is poised to be a creator in this sense. I think a producer/DJ is where it needs to be done. And, most of us are not that.
well maybe you play top 40 or so but djs are artists, they start as a djs and work it up to producing, I'm looking to produce cant wait! i don't wanna stay as dj that sits behind a booth and plays the same isshh every weekend I'm looking forward to play my own beats and you have to interact with the crowd because u set the mood! and u tell them what to dance at what point do u want them to scream etc. i do this for hobby not for the money i luv it you sound like its you're job and you hate to do it! and i agree you don't have to beatgrind the shit out of a song i hate that, effects are made for transitions!
Posted Sat 22 Oct 11 @ 5:54 pm
dre99gsx wrote :
I just don't get it.
1. We now have to move sliders, constantly touch knobs and buttons, keep adding reverb/echo/effects on top of songs that already have tons of these effects. Why?
The crowd could care less from the event's I've hosted. They just want to dance to music that is familiar and NOT altered with tons of loops, flanges and filters. Why screw with a song that sounds great from the source? I've seen DJs throw in all kinds of effects and filters, and all that does is throw the dancers off their step. I've been in the crowd where they are singing to the lyrics, when the DJ hits the loop button in the wrong spot (although it sounds cool) and these girls just give each other a strange look as if the DJ screwed up the song. Not cool.
I understand transitions could use some help with effects, but once a song is transitioned, why keep fiddling with it? What is wrong with a DJ letting it play through to the next song? Does that label us as a DJ as "boring"?
I never once saw someone from the crowd complain that "the DJ is boring because he is just standing there and didn't mix in the next song right after the hook we done", I've only seen DJs complaining about other DJs.
2. Why do we try to make our jobs harder, when the crowd doesn't even care?
Our job (95% of us) is to keep the music flowing, the crowd pleased. Why make this so much harder by not using features like SYNC and KEY-matching, etc? Why do we have to beatmatch without looking at the wave pattern? What are we proving? That we can outsmart technology?
Sure, we can just press PLAY and have a premixed set going, but that does take away from our ability to cue up the next song based on crowd reaction. That to me is the #1 purpose of the DJ. Aside from that, all the twiddling around on stage just doesn't make sense. We are playing recorded music, we aren't live performers (as a real musician would be labeled).
If you are an Ableton user (as am I) who sometimes produces live, the above can be ignored, but for 95% of us, I think we are just trying to impress our fellow DJ friends more than anything.
Had to rant...
1. We now have to move sliders, constantly touch knobs and buttons, keep adding reverb/echo/effects on top of songs that already have tons of these effects. Why?
The crowd could care less from the event's I've hosted. They just want to dance to music that is familiar and NOT altered with tons of loops, flanges and filters. Why screw with a song that sounds great from the source? I've seen DJs throw in all kinds of effects and filters, and all that does is throw the dancers off their step. I've been in the crowd where they are singing to the lyrics, when the DJ hits the loop button in the wrong spot (although it sounds cool) and these girls just give each other a strange look as if the DJ screwed up the song. Not cool.
I understand transitions could use some help with effects, but once a song is transitioned, why keep fiddling with it? What is wrong with a DJ letting it play through to the next song? Does that label us as a DJ as "boring"?
I never once saw someone from the crowd complain that "the DJ is boring because he is just standing there and didn't mix in the next song right after the hook we done", I've only seen DJs complaining about other DJs.
2. Why do we try to make our jobs harder, when the crowd doesn't even care?
Our job (95% of us) is to keep the music flowing, the crowd pleased. Why make this so much harder by not using features like SYNC and KEY-matching, etc? Why do we have to beatmatch without looking at the wave pattern? What are we proving? That we can outsmart technology?
Sure, we can just press PLAY and have a premixed set going, but that does take away from our ability to cue up the next song based on crowd reaction. That to me is the #1 purpose of the DJ. Aside from that, all the twiddling around on stage just doesn't make sense. We are playing recorded music, we aren't live performers (as a real musician would be labeled).
If you are an Ableton user (as am I) who sometimes produces live, the above can be ignored, but for 95% of us, I think we are just trying to impress our fellow DJ friends more than anything.
Had to rant...
about tyme i find another DJ who feels just like i do. ive been DJing since 1983. and i see that krap all the tyme touching this, touching that. if you play the right music & mix it right the krowd kould kare less about all them fancy effects
Posted Sat 22 Oct 11 @ 11:24 pm
dre99gsx wrote :
I just don't get it.
1. We now have to move sliders, constantly touch knobs and buttons, keep adding reverb/echo/effects on top of songs that already have tons of these effects. Why?
The crowd could care less from the event's I've hosted. They just want to dance to music that is familiar and NOT altered with tons of loops, flanges and filters. Why screw with a song that sounds great from the source? I've seen DJs throw in all kinds of effects and filters, and all that does is throw the dancers off their step. I've been in the crowd where they are singing to the lyrics, when the DJ hits the loop button in the wrong spot (although it sounds cool) and these girls just give each other a strange look as if the DJ screwed up the song. Not cool.
I understand transitions could use some help with effects, but once a song is transitioned, why keep fiddling with it? What is wrong with a DJ letting it play through to the next song? Does that label us as a DJ as "boring"?
I never once saw someone from the crowd complain that "the DJ is boring because he is just standing there and didn't mix in the next song right after the hook we done", I've only seen DJs complaining about other DJs.
2. Why do we try to make our jobs harder, when the crowd doesn't even care?
Our job (95% of us) is to keep the music flowing, the crowd pleased. Why make this so much harder by not using features like SYNC and KEY-matching, etc? Why do we have to beatmatch without looking at the wave pattern? What are we proving? That we can outsmart technology?
Sure, we can just press PLAY and have a premixed set going, but that does take away from our ability to cue up the next song based on crowd reaction. That to me is the #1 purpose of the DJ. Aside from that, all the twiddling around on stage just doesn't make sense. We are playing recorded music, we aren't live performers (as a real musician would be labeled).
If you are an Ableton user (as am I) who sometimes produces live, the above can be ignored, but for 95% of us, I think we are just trying to impress our fellow DJ friends more than anything.
Had to rant...
1. We now have to move sliders, constantly touch knobs and buttons, keep adding reverb/echo/effects on top of songs that already have tons of these effects. Why?
The crowd could care less from the event's I've hosted. They just want to dance to music that is familiar and NOT altered with tons of loops, flanges and filters. Why screw with a song that sounds great from the source? I've seen DJs throw in all kinds of effects and filters, and all that does is throw the dancers off their step. I've been in the crowd where they are singing to the lyrics, when the DJ hits the loop button in the wrong spot (although it sounds cool) and these girls just give each other a strange look as if the DJ screwed up the song. Not cool.
I understand transitions could use some help with effects, but once a song is transitioned, why keep fiddling with it? What is wrong with a DJ letting it play through to the next song? Does that label us as a DJ as "boring"?
I never once saw someone from the crowd complain that "the DJ is boring because he is just standing there and didn't mix in the next song right after the hook we done", I've only seen DJs complaining about other DJs.
2. Why do we try to make our jobs harder, when the crowd doesn't even care?
Our job (95% of us) is to keep the music flowing, the crowd pleased. Why make this so much harder by not using features like SYNC and KEY-matching, etc? Why do we have to beatmatch without looking at the wave pattern? What are we proving? That we can outsmart technology?
Sure, we can just press PLAY and have a premixed set going, but that does take away from our ability to cue up the next song based on crowd reaction. That to me is the #1 purpose of the DJ. Aside from that, all the twiddling around on stage just doesn't make sense. We are playing recorded music, we aren't live performers (as a real musician would be labeled).
If you are an Ableton user (as am I) who sometimes produces live, the above can be ignored, but for 95% of us, I think we are just trying to impress our fellow DJ friends more than anything.
Had to rant...
I'm with you on this one, I think it stared once DJs became digital....I remember before when I was starting out a long time ago I would watch other DJs working the records, back cue the record, listening for the beat match (No computers to assist you back then) and adjusting the pitch on the turntable, this took a while. The DJ used to be busy back then, it was interesting (At least I think it was) watching the DJ cue the records and now with technology DJs have a lot of free time so I guess they want to look like they are going something.
It's so funny to me when I watch DJs move the knobs but yet I hear no changes to the music, they move the knobs on channels they are no using LOL. I remember the first time I seen a DJ do this I was like WTF is he doing?
I like hearing the music they way it was originally produced, I don't mind hearing effects on transitions but I hate it when I hear it in the middle of a perfectly good song.
Posted Sun 23 Oct 11 @ 2:21 am
When I started out mixing I wasn't sure I was "Djing" because I had no one to guide me. The concept of just playing the record/track and transitioning into the other one just seemed to "easy" for me in the sense that I expected a little more work than just beat matching out into a loop. No one guided me or told me how to mix or anything, so as the months went by, my routine just developed around sampling and twisting knobs and sliding left to right all of a sudden (without the SYNC I probably could not work as fast as I do) - To put it more clearly, at my pace, I dont have time to manually adjust, I must SYNC on the fly and I have no shame in it (no one notices, remember?)
My point is, that I does matter how much energy you put into it. If you really feel that one cares about your "craft" , then **** it. Why even bring out the turntables to the bar or club, just bring the laptop.....No one notices after all..... . . . ...... . ...............(sarcasm).........................
I on the other hand will continue to bust out my V7's and continue to sample and twist those knobs and slide left and right ...not for show...but because its just part of the mix. I know at some level we read the crowd to see how their reacting, but I rarely find that helpful - I'm so focused on the mix I'm currently doing that to stop and observe for too long would just throw me off, not to mention that if your entertained yourself with all the mixing, the crowd reads you (not the other way around) and swiftly fallow your energy. Of course, if you just stand there not doing much, just transitioning (**** it, use the automix) your crowd might read that and be like.....wow.....lame.
Just some thoughts
[Edited: Please do not use bad language in your forum posts.]
My point is, that I does matter how much energy you put into it. If you really feel that one cares about your "craft" , then **** it. Why even bring out the turntables to the bar or club, just bring the laptop.....No one notices after all..... . . . ...... . ...............(sarcasm).........................
I on the other hand will continue to bust out my V7's and continue to sample and twist those knobs and slide left and right ...not for show...but because its just part of the mix. I know at some level we read the crowd to see how their reacting, but I rarely find that helpful - I'm so focused on the mix I'm currently doing that to stop and observe for too long would just throw me off, not to mention that if your entertained yourself with all the mixing, the crowd reads you (not the other way around) and swiftly fallow your energy. Of course, if you just stand there not doing much, just transitioning (**** it, use the automix) your crowd might read that and be like.....wow.....lame.
Just some thoughts
[Edited: Please do not use bad language in your forum posts.]
Posted Sun 23 Oct 11 @ 12:26 pm
watch your mouth mate, there is kids reading...:-P what sort of music do you play that you need to add effects and twist knobs, it must be pretty bad if you need to do all that work to make it sound good unless its is a minimal sound anyway... seriously im a club dj, i play dnb, breaks, dub and techno and the only style that needs effects beyond a filter, loop roll or the granulizer every know and then is techno, sure with the other styles you need to change up the frequencies, but that doesn't equal twiddling, that is waiting for the right moment to slam in the next bassline to keep the floor moving it is very precise and minimal what you are doing to the knobs and you get your energy from the music not the workout you get from messing up perfectly good tunes LOL
Posted Sun 23 Oct 11 @ 2:58 pm
I center around House/ Electro 128 BPM and I always make my mix sound good, simply because I am good. I love to emulate a high pass and low pass with my bass and treble knobs ... You or anyone are.... are "No""One" to say what style needs what, as everything is subjective and re-arrangeable. I just happen to know how to twist the knobs at the precise moments and how to "receive" the energy from creating "it" myself.
If you can't equalize through out the mix on the spot or don't like adding effects to the mix, dont be hard on yourself, perhaps one day you can learn to do it without "OVERdoing it" ahem.
I just love this whole Dj concept of not "messing up perfectly good tunes" because I am awesome :)
PS> Cheeseburger
If you can't equalize through out the mix on the spot or don't like adding effects to the mix, dont be hard on yourself, perhaps one day you can learn to do it without "OVERdoing it" ahem.
I just love this whole Dj concept of not "messing up perfectly good tunes" because I am awesome :)
PS> Cheeseburger
Posted Sun 23 Oct 11 @ 8:02 pm
LOL, with an attitude like that your alright with me, happy twiddling
Posted Sun 23 Oct 11 @ 9:39 pm
Dj Arum wrote :
I know at some level we read the crowd to see how their reacting, but I rarely find that helpful - I'm so focused on the mix I'm currently doing that to stop and observe for too long would just throw me off, not to mention that if your entertained yourself with all the mixing, the crowd reads you (not the other way around) and swiftly fallow your energy.
SERIOUSLY?
Got to say that really made me chuckle, obviously DJing is so different where you are to the venues I work at...
Dont care about the crowd reaction as long as the DJ is enjoying it, sheesh..
Posted Thu 27 Oct 11 @ 8:51 am
WOW, LOVE THE DEBATE!
Posted Fri 28 Oct 11 @ 7:25 pm